seems you think your newest work isn’t up to ‘par’….well looky what I just did yesterday afternoon. For a toy show in Santa Fe at the gallery. Sigh. But, danged if I don’t love the little duckie. 8″x 8″ acrylic on panel.
Well, the image below wasn’t finished afterall. It IS finished now. Changed the ‘title’ in the painting….had just scribed it in…took that out and printed it with my old rubber stamp kit bought years ago at an antique store in Nebraska. Missing only a few lower case letters and one upper case. Case/schmase, says I. haha. Also added some finessing bottom right. Better methinks.
As soon as the Sunday luncheon was over and dishes in the dishwasher, I went to the studio and started revamping two paper pieces. Have one or two more to do.
First is: 3 SKIPS TO EACH STONE 29×41 inches. acrylic and crayon and graphite on paper
Look what happened to 3 SKIPS… yesterday. Was frustrated that it looked so ‘tame’…. hmmmmmmmmmmmmmmm. But it sure was fun.bring back the white, she said. hahaha. Who knows? I’ll probably end up scrapping this one. But it was fun.
Second is: IT’S ALL OVER NOW 29×41 inches. acrylic, crayon and graphite on paper
actual wording printed and stamed on the piece is: Must get away from what relates, ’cause it’s all over now
Back in the studio after a 3 week break and I don’t mean to insult all clever canines, but the commission I’ve been working on is a dog!
Hah! There it is, said out loud.
So I rename it a colourful, textured underpainting and am going about reworking the areas that are truly howling. It’s always good to step away from something for a while, but I know the following quote by Robert Hughes really helped me reflect and redefine the species of this painting.
“… no painting, that’s of any quality, is very easy to understand because the function of a painting is to always expand one’s experience. So if it were easy to understand then it would fall within what you already know.”
Even though I don’t work in abstraction there is already a 20cm x 40cm area in it’s 2m expanse that I’m happy with. An area that I don’t really understand, that I don’t need to explain, but that is helping me view the rest of the piece in a different way. Hopefully it won’t send me barking mad.
When Dave braved a visit to Mt Perry last year we headed out on a bottle tree search and stumbled upon this beautiful hillside of grass trees near the town of Monto. Two weeks ago I finally got back there, and my travelling buddies pointed out to me that there were also bottle trees growing on the slopes above them. So this is part of a new site I’m going to explore, and see what happens. These little sketches are headed to Woodgate Arts in Spring this weekend. Really looking forward to getting into more next week. Just a phone pic, so need to go back with all the sketcharama bits and the good camera… and get up earlier… and…
Last weekend I had a friend visit, Louise Thomas, and she’s been doing some beautiful still lifes lately. So we spent the time taking shots of her paintings and talking about talking to galleries, and talking about dogs.
On the tiles Louise Thomas 2014 Oil on canvas 70cm x 90cm
Thirty-six grapes Louise Thomas 2014 Oil on canvas 90cm x 90cm
Two pairs on stripes Louise Thomas 2014 Oil on canvas 90cm x 70cm
So, am working on very small items for a gallery in Santa Fe having a toy themed holiday show in December. Also, our own Catherine Brenner at Unsettled is having an ‘ornamental’ exhibition same month. They’re both getting toys in painting and drawing form. 5″x 5″ and having too much fun so far. They are all ink, acrylic & graphite and some crayon on rice paper (old sumi e paintings) mounted to masonite panels. Yes, the masonite was gessoed with black so sides are black, too.
That drawing kept bothering me until I finally realised it wasn’t finished at all! In fact it is going to be a few more weeks till it is done….I hope. Drawings are demanding. Attached is an update taken with my iPad. And I attached a couple of files after CC enquired about my entry for the Bundaberg Art Festival. I called it ‘The Gates of Babylon’. It is an acrylic collage with plastic lace and tablecloths. 150cmsq
It was good to see Nolan again, saying a few words about her work at the closing reception at recent Unsettled Gallery exhibition. Also got to introduce one of my close art friends from Virginia, Jon Moneymaker, who was out for a week of hiking and inspiration from our desert and mountains. He estimates he’s got a thousand future paintings in his camera.
Jon and I paid a visit to Three Rivers Trading Post….you may recognize the subject of my painting that was in ChArtS.