Across the Creek & last one: West Country

There’s such a good feeling to have painted a ‘pretty’ painting then obliterate it. I think it’s called FREEDOM. haha

Good news…got an email from the creative dir. at the publishing house and he LOVES this….that means money for a TIFF of it and I still get to sell the original. whew. It all helps.

This series is, I believe finished on paper pieces….on to larger canvas renditions…more abstract, I’m hoping.

ACROSS THE CREEK

ode to silence site22×30 acrylic on paper. Not just Titanium White, VanDyke Brown and Lamp Black…I added RED. ha. To be abstracted when it goes to canvas…somehow.

WEST COUNTRYwest country

LISTEN CAREFULLY

22×30 Inches, acrylic and ink on paper.listen carefullyCan’t wait to get to the larger canvasses on this series. Hopefully before spring!

WOW, just showed this to a publishing house art director I work with for greeting cards and he wants a version for a set of note cards. Those ‘dots’ will be in foil….should be fun!

Feb 5: Date claimer for little pieces of New Mexico in Maryborough

Hellooooooo from Mt Perry.

Friday night, February 5, will be the opening of ‘Road to Somewhere’ at Gatakers Artspace in Maryborough.

Jenny Gilbertson and I have been meeting since early 2014 to plan a show of small works about New Mexico. When I say ‘meeting’, well, a coffee here, a margarita there, several good excuses for trips to see Trevor, a project, a panic, a postponement: finally we’re there… well, when I say ‘there’…

We have the venue, the guitarist, and a show of works all 20cm high and we hope you can all come and bring everyone you know and paint the town Turquoise! (Too much? :-D )
And last week Jenny constructed our beautiful opening night piñata – you wanna see that for certain! So fun to watch her deftly weave this piece together. More gratuitous plugging to come :-)

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Crafts person Cam

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Cane frame swings hypnotically.

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Piñata masterclass.

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Apt tee.

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Hanging out for a good whacking!

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White Sands, saguaro cacti, and prickly pears take shape on my desk.

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And shape shifting cacti, retablos and Southwest icons fill Jenny’s studio.

Lovely to be home but still ‘be’ in New Mexico.

While housebound…

 

Latest one, inserting: THE WOODS ARE LOVELY, DARK….the woods are lovely, dark...

I’ve been caretaking my injured husband for nearly a month now and have finally gotten time to do some paintings on paper on ‘your’ art table, Adrienne, in our living room. So far, with all the snow that fell on us last week, I’ve done landscapes of snow! I NEVER do landscapes, so this has been an eye opener and rather fun and rather difficult, too. Put up my attempts on facebook and also sent out a blog from my website and have even sold one. Of course now I’m in a quandary because the fellow who is buying the first one, may want to exchange for the 3rd one and I’m not sure I’ll let him. He’ll buy one of them anyway, so no worries.

Has that ever happened to one of you? How did you handle it? I know the newer one he wants is much more accessible for viewers, thus, more salable. hmmmmmmmmmmm, what to do, what to do?

All 22×30 inches, acrylic, ink, crayon and graphite on paper.

SILENCE IN THE SNOWY FIELDSsnow 3

 

MY SUN EVERY MORNINGmy sun every morning

 

WEST COUNTRY SONG (sold unless I let him select another)west country song site

Merry Holidays, artists and everyone.

So, haven’t been here in awhile and looks like no one else has, either. But, just a note to say I’ll miss ya, Trudie.

Another note to say I’ll miss the rest of you since this blog seems to be over. It’s been a pleasure.

Additional note to say my hunnybunny, WinklerCakes is better day by day from his BIG fall and broken bones (ladder, tree, don’t ask), so life is looking better for us daily.

Last note to say however you spend your holiday and whichever holiday you celebrate: MAY THE FORCE BE WITH YOU.

xxxx,

Nolan

are we all still here?

I’m wondering if I should continue to check this site daily or let it go. What do you guys think?

One more post (at least). I just sent this out in a blog to friends and galleries, consultants….ya never know. I used someone else’s base picture to drop in my own paintings. I’ll let you know if it does any good. Sales in the US are slow if non existent but it’s what I do so must keep the chin up.

3 setups I let them know that, though I work small I often am asked to upsize something similar….so…..

New York, New York Part II

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I can’t remember if I mentioned this before, but 5 days just aren’t enough for a city like New York and although I now spent 10 days in this amazing city I have decided I need to come back next year if finances allow. There is still so much to do…..

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This is a Graffiti sculpture along the High Line, very clever.

This time round Phil and I enjoyed spending time in the East Village, went to the Whitney and saw the Frank Stella Retrospective (amazing!!!), walked the High Line now covered in Autumn colours and stumbled into some amazing art galleries in Chelsea.

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Amazing Frank Stella artworks and some of them are huge!!!!

We saw some breathtaking art at Sotheby’s, went to the Print and Artist Book exhibition at The Tunnel in Chelsea, enjoyed some live music at the Bowery Electric and went to a play at the Gene Frankel Theatre in Bond Street.  We also caught up with family friends, old work friends from Phil and Billie, my landlady during my first stay in New York. What can I say, we felt right at home!  We also had a glass of wine at Grand Central Station, walked to Times Square, saw Ground Zero and enjoyed many Happy Hours drinking Margaritas!  Poor Phil I made him walk for hours!

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Amazing artworks in Chelsea galleries.

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The High Line – beautiful in Autumn at 25 degrees Celcius! How lucky were we walking around in T-Shirts in NY in November!

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That’s my man!

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One World Tower….and Ground Zero

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and did I mention I love all the Graffiti!

Again I re-discovered I am a city girl at heart and although I enjoyed my time in Las Cruces, I missed the buzz and noise and excitement of the big city. How will I cope in Bundy after this amazing trip???? I guess, work will keep me on my toes and I do have lots of plans for future artworks.

We are now in Chicago and this city is even more exciting than New York if that’s at all possible, but that’s something for my next blog.

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Chicago from the river :-)

Home, sweet work.

Hello from Perry!
One of the things I knew before I left Mt Perry in late August was that Red Hill Gallery had secured a commission for me, and Marlies and Phil got the usual call “can you make me a 100cm x 100cm stretcher frame, tickety boo?”.

Stretched and primed, with some texture in place to dry, I closed up the doors and headed off.

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After working 4+ years full time in the studio, and never for a minute regretting any of it, I did hear myself often quip “it’s no way to make a living“, making light of a genuine concern about income. And yet my struggle with commissions continued. So I got onto the plane knowing it was time to ‘reframe’ those thoughts, and be brave enough to ask some other artists theirs.

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Off and on over the weeks I spoke with about 6 different artists and of course everyone was generous and thoughtful. And yes, it’s a no-brainer: someone is prepared to pay you to paint something you love painting. They like your work, therefore they will like what you paint. This was the gist of reply each time amidst a great broad ranging discussion.
But will I like what I paint?

Well probably not if I tie myself in knots over it! And I already know I have a process in place that avoids being asked to replicate works, or to be heavily directed, but apparently I have numerous doubts. Other questions I’ve posed to self have been: What is this angst over studio paintings versus commissioned pieces?
Will money corrupt the process?
Am I a lesser artist afterwards?
Is the work less interesting?

Answers: sshhhsshh, stop the voices;
yes, and buy you a canvas roll, get over it;
no, doh, build a bridge and get over it;
and, only if you let it be!

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One of the things the residency fostered was my willingness to ask questions of the US artists that I may not have so easily asked of my home crowd. Nearest astutely observed that we can often be more ourselves when a long way from home—a little more fearless in our approach perhaps—as the importance of the lasting impression seems lessened. Or this may just reveal more of my own shortcomings back home, but I certainly won’t forget the responses I received. Either way I came home emboldened.

I am really enjoying the lightness of the work on this one, I’ve started some sketches around it (2nd pic) and also started the base painting (above). I’ve decided to not finish the sketches first, to not be too prescriptive, but instead move from one format to the other and maybe some interesting things will occur in that process.

The coffee is flowing, the oils are out, the watercolours too, and Nearest is still terribly impressed with how many Qantas meal trays I managed to flog on one long flight to Australia. Thank you Qantas, they make excellent watercolour palettes.
And the studio assistant (cue the gratuitous pet photo) is very happy to be working again.

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